2. Question: To what extent do the universal features of human nature give rise to/explain/determine/shape (you choose the most appropriate verb) the cross-cultural invariants of art?
2. Question: Dutton closes Chapter 1 with this statement: "We are what we are today because our primordial ancestors followed paths and riverbanks over the horizon" (p. 28). What are the implications for our appreciation (or lack thereof) of landscape art today?